THEATER 2013 Mo[u]rnin’. After.

Mournin After RAYMOND

GENRE: Theater

DESCRIPTION: A journey to the ancestors and back to the homeland through magic, musicals, and time travel…dream ballets included.

PERFORMS: Thursday, July 18 @ 10:30pm (The Wild Project, 195 E. 3rd St, NY, NY)



Mo[u]rnin’. After. was created under the Tim Miller Mentorship, a 6 month development process to create new, queer work, made possible by grants from the National Performance Network, Performance Space 122, and Fourth Arts Block. The performance that was created, Oh Whatta Beautiful Mo[u]rnin’, premiered at PS122 in June of 2011, it was later performed at La MaMa ETC as part of the FAB Festival.

Mo[u]rnin’. After. is the full-length continuation of Oh Whatta Beautiful Mo[u]rnin’ and has been performed across the country to glowing reviews.

“To say he has a lot of panache would be an understatement…[A] beautiful curio—at once poetic, raw, and intimate…Mosley is yet a young man in the world of theatre but shows a talent and wisdom beyond his years.  3 1/2 out of 4 stars.” -Clint May, Chicago Theater Beat

“Something deeply personal, moving and impossible not to identify with…a fast-blossoming performer whose insights into the intersection between loss and identity are worthy of an hour of anyone’s time.” -Steven Chaitman, Windy City Times

Brigham Mosley is a queer writer/performer from southwest Oklahoma.  He graduated from Southern Methodist University with a BFA in Theatre Studies.  During his time at SMU many of his plays were produced including Big Butchy Dykey Lesbian Play, Orange Julius, You Make Me Wanna Dada, Victorian Play, Zoo Play, Moving FurnitureVirginity Play, (Kennedy Center Awards regional winner for Best One-Act), and Pretty, Smart, Poetic as part of SMU’s mainstage season.  Pretty, Smart, Poetic went on to be produced in Chicago by the Odradek Theatre Company and as a reading/workshop at Westport Country Playhouse in Westport, Connecticut.  Brigham’s Iph., the first in his “Modern-Ancient Greek Trilogy”, had it’s premiere workshop/reading at NYC’s The TBG Theatre this past summer.  The other two plays of the trilogy, Semele and Persephone, are available for workshop and development.  Brigham’s solo works (Body Talk: 8-12 Minutes with the Poetics of Brigham Mosley’s Body; GlitterNation; Magic Man; Oh Whatta Beautiful Mo[u]rnin’; Mo[u]rnin’. After.; Oklahomo!; Mae Mosley is: A Handsome Woman; and Saint Brando) have been performed across the country in spaces such as PS122, La MaMa ETC, Dixon Place, The New Museum, and many others.

Laura Hix is a director and teaching artist.  Laura received her BFA in Theatre from Southern Methodist University and is currently working on her MA in Drama Therapy at NYU.  She is interested in working with embodied narratives, with a particular interest in how personal narratives become community engaged.  Laura has collaborated with Brigham on numerous productions including Mo[u]rnin’ After (9th Space and EAT Fest), Mae Mosley is a Handsome Woman (FAB Fest), and Iph. (TBG Theatre).